Аркадий СВЕТЛАНОВ и орк. Якова ТАТАРИНОВИЧА. Берлин, 1931. Эмигрантские песни. Народные песни.

Поддержать канал: Сбербанк: 2202 2063 7631 9419 Аркадий СВЕТЛАНОВ (точно установить имя не удалось, наверняка известен только иницал "А") принадлежит к числу забытых звезд эстрады русской эмиграции первой волны. Известно 3 его пластинки, записанные в Берлине на студии "Парлофон" в 1931 году. #народные_песни Трек-лист: 1. Метелица - 00:10 2. Трубачи - 03:08 3. Над полями - 06:03 4. Тройка - 08:53 5. Ботиночки - 11:11 6. Песня узника - 14:18 Track-list: 1. Snowstorm - 00:10 2. Trumpeters - 03:08 3. Over the fields - 06:03 4. Troika - 08:53 5. Small shoes - 11:11 6. Song of the Prisoner - 14:18 Russian romance (Русский романс) is a type of sentimental sung poetry influence that was developed in Imperial Russia. By the early 20th century, several types of the Russian romance had emerged. An elite type of the Italianate opera-influenced song known as the "salon romance" is contrasted to the lower-class genre of "cruel romance" which features "sentimental courtship, illicit love, pained rejection, and often suicide". The latter is supposed to have given birth to the Russian chanson. The Russian romance had its heyday in the 1910s and 1920s when the top performers included Anastasia Vyaltseva, Varvara Panina, Nadezhda Plevitskaya, Tamara Tsereteli, Pyotr Leshchenko, and Alexander Vertinsky. In the early Soviet era the genre was less favoured, as it was seen as a vestige of the pre-revolutionary "decadent and bourgeois" sensibility through much of the 20th century. A new...