Leonardo Da Vinci's "Hidden Music" in The Last Supper (Mousanz Interpretation)

My interpretation of Leonardo da Vinci&"hidden music" from &Last Supper'. Info about this interpretation: - The theory is that each bread on the table as well as each hand is interpreted as a note. - This interpretation was inspired by Giovanni Maria Pala&research, but it&a completely different interpretation. - This adaptation claims in NO way to be accurate or definite. It&just my very own subjective adaptation in which I evidently took lots of liberties and made various assumptions. - The piece is in 3/4. The reason for this is that the Apostles seem to be divided in 4 groups of 3. - The piece is in Gm (originally transcribed in Am). The original interpretation came out in Am, taking the far rights Apostle&hand as Clef Note point. The reason I transposed it to Gm was that it had a warmer sound (to me, anyway) in that key. - The transcription was made reading from Right to Left, following Leonardo&way of writing. - The piece has exactly 8 bars and it&played on a (MIDI) Piano even though it would have probably been intended to be played on a Harpsichord or sung by a Gregorian Choir. - Most notes are interpreted as Quarter Notes. However, there are some exceptions. My only criteria to make notes have a different value was the distance between them. Notes that are too close to each other are interpreted as Eighth Notes. - There&a very short dissonance in the 4th bar which might appear to be a mistake. However, this is how my interpretation read it and, to be honest, I...