Canon Cinema Raw Light Workflow in 2021

Canon Cinema Raw Light hasn&always been the easiest format to work with, but with native NLE support and camera-generated proxies it&a much simpler and faster proposition, allowing users to unlock the full power of Raw throughout their edit, rather than transcode at the beginning. This is how I shoot and edit Canon Cinema Raw Light in 2021, with options to either take it through Premiere from start to finish or round trip through DaVinci Resolve. 00:00 Intro 00:13 The old way 01:25 Camera Settings (C200) 04:33 Editing Raw in Adobe Premiere Pro 12:19 Working with Raw in DaVinci Resolve 18:36 Finishing in Premiere