Aires Choqueros (Fandangos de Huelva) by Paco de Lucia

Аватар автора
Танцевальный успех: Истории триумфа и настойчивости
First, focus on the basics. Work toward mastering the fundamental aspects of basic forms (palos) while you are building your technical level. An essential part of this process is studying traditional falsettas. When you do, be sure to explore the harmonic, rhythmic and melodic structure of these falsettas (or pieces) for a deeper understanding of these aspects to prepare yourself for the next stage--to reach a level at which you start creating your own falsettas and pieces. Eventually, you will reach an improvisational level in the Flamenco guitar. At this stage, it is invaluable to study complete pieces by Flamenco guitar masters such as Paco de Lucia, Sabicas, Tomatito, V. Amigo, G. Nunez, as supplementary practice. Run through these pieces using a metronome or a rhythm track to make sure that you can stay "in compas," (within the rhythmic structure of the form). This video is a practice illustration of this stage in your practice. Note that the tempo chosen is slightly slower than Paco de Lucia&original tempo. Once you have reached this level, and you can perform pieces close to the preferred tempo comfortably, discontinue the use of any metronome and rhythm tracks. This will allow you to focus on the dynamic relationship with the musical phrases and the rhythmic structure. A true piece of music, whether it is Flamenco, classical or any other style, is one that is allowed to "breathe." No piece of music should be restricted to a fixed metronomic tempo. Flamenco...

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