Tchaikovsky Andante & Finale Op.79 柴可夫斯基 行板 與 終曲 作品79 チャイコフスキー アンダンテ フィナーレ Score Sheet 譜 楽譜付き 【Kero

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Tchaikovsky Andante & Finale Op.79 柴可夫斯基 行板 與 終曲 作品79 柴可夫斯基 行板 与 终曲 作品79 Chaikovski Andante & Finale チャイコフスキー アンダンテ と フィナーレ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Finale 00:00 I Andante 12:09 II Finale. Allegro maestoso The Andante and Finale is a composition for piano and orchestra that was reworked by Sergei Taneyev from sketches by Pyotr Ilyich Tchaikovsky for the abandoned latter movements of his single-movement Piano Concerto No. 3 in E-flat, Op. 75. The core of the music is by Tchaikovsky, but the realisation was by Taneyev, and the decisions on the form, genre and title were jointly made by Taneyev, Tchaikovsky&brother Modest, Alexander Siloti and the publisher Mitrofan Belyayev. It was nevertheless published in 1897 as a work of Tchaikovsky&alone, and even given the posthumous opus number 79 in Tchaikovsky&catalogue. The Third Piano Concerto and the Andante and Finale are sometimes played together to form a synthetic "complete" concerto. What is known as the Andante and Finale had its genesis as the slow movement and finale of Tchaikovsky&Symphony in E-flat, a work he started writing in 1892. He abandoned the symphony in December 1892, but after his nephew Bob Davydov chided him, he began reworking it into a piano concerto, his third, which he promised to the French pianist Louis Diémer. The composer finished the outline of the first movement (Allegro brillante) of this concerto in July 1893...